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A Midsummer Night’s Dream
Shakespeare in the Park with the Augusta Downtown Alliance
A Midsummer Night’s Dream
Augusta 16, 17 in Waterfront Park in AugustaA Midsummer Night’s Dream Summary
Four Athenians run away to the forest only to have Puck the fairy make both of the boys fall in love with the same girl. The four run through the forest pursuing each other while Puck helps his master play a trick on the fairy queen. In the end, Puck reverses the magic, and the two couples reconcile and marry.
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A Little Murder Never Hurt Anyone
by Ron Bernas
At Hallowell City Hall
Show dates June 14, 15, 16, 21, 22, 23“A delightful surprise…an evening of fun just on the proper side of slapstick.” – Lansing State Journal
Synopsis from stageplays.com
It’s New Year’s Eve at the Perry mansion, and Julia and Matthew Perry seem to have it all.
But Matthew wants something more – to be rid of his wife Julia so he can have some real fun!
He resolves to murder Julia by the new year’s end, and tells her so
She vows to stay alive, and tells him so
And so the game begins – an hilarious year-long match of wits and the witless
But while Julia cleverly dodges Matthew’s devious murder attempts, the Perry friends and staff are dying off mysteriously – it seems Matthew is successful in murdering everyone but Julia!
As the bodies are falling, dim-witted daughter Bunny contemplates calling off her wedding to unwitting Donald since all the intended gift-bearing guests are dying
Enter Detective Plotnik – a Sam Spade reincarnation who suspects everyone, but hasn’t a clue
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All I Really Need to Know I Learned by Being in a Bad Play
By Werner Trieschmann.Synopsis from dramaticpublishing.com
Based on several disastrous theatrical experiences, Bad Play peels back a tattered curtain to examine the process of putting on a show that is less than good. A stuffy narrator (what bad play is complete without a stuffy narrator?) guides the audience through the whole sorry process. We go from the audition—where the director is more worried about roast beef than paying attention to the warm-up exercise, and the neurotic cast pretends to be bacon—to rehearsals—where a passive-aggressive stage manager gives everyone grief. There’s also a special meeting of the Small Part Support Group and a production of Romeo and Juliet set in a Starbucks with costumes of potato sacks and bowler hats. This bad play within a play won’t win any awards, but All I Really Need to Know I Learned by Being in a Bad Play will keep audiences in stitches.
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Marriage is Murder, by Nick Hall
Gaslight Theater, Hallowell, Maine
2018 Season, August 24, 25, 26 & 31, Sept 1 and 2Full Length Play, Comedy
cast: one woman, one manEx-spouses Paul and Polly Butler write murder mysteries together. They act out the crimes in Paul’s apartment: poisoned chocolates and lethal martinis, alibis and fingerprints, bodies in a trunk and bodies all tied up, daggers, guns and even an axe all contribute to the hilarity. Nobody gets hurt, but their egos take some hits as they find that their marriage was mixed up with their work. There are many fast paced comic twists as they attempt to outdo and surprise each other and they learn that marriage, like murder, is in the details. The final witty complication is a real murder which they and the audience should have seen coming. This murderously funny two character comedy is by the author of Accommodations.
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Not about Nightingales by Tennessee Williams
Gaslight Theater, Hallowell, Maine
2018 Season, October 19, 20, 21, 26, 27, 28An early work by the revered playwright that caused a sensation in Houston, New York, and London. This is a raw, sprawling dramatization of real events at a Philadelphia prison in 1937. Convicts who led a hunger strike to protest conditions were locked in a scalding cell where four of them died. The sympathetic treatment of blacks and homosexuals was revolutionary for the time of the premiere and may explain why the play remained unproduced for sixty years.
NOMINEE! 1999 Tony Award for Best Play
PAST REVIEWS
“Enthralling…A feverish, full strength compassion for people in cages makes Nightingales fly toward a realm of pain and beauty that is the province of greatness…The emotions, both savage and painfully delicate, that saturate this work are arguably more rich and varied in tone than those of any American dramatist…The voices of Williams’s entrapped nightingales…refuse to fade when the play is plunged into its concluding darkness.” – The New York Times
“The best American play so far this season…It adds to the reputation of one of America’s greatest playwrights.” – The New York Daily News
“Fascinating.” – The New York Post
“Changes our perception of a major writer and still packs a hefty political punch.” – London Independent
DETAILS
Time Period: 1930s
Setting: A large American prison during the summer of 1938.
Features / Contains: Period CostumesCASTING
9m, 3f
THE VOICE OF THE LORELEI
MRS. BRISTOL
EVA CRANE
JIM ALLISON (Canary Jim)
BOSS WHALEN – the warden
JACK BRISTOL (Sailor Jack)
SCHULTZ – a guard
BUTCH O’FALLON
THE QUEEN
JOE
MCBURNEY – a guard
OLIVER ARMSTEAD (Ollie)
SHAPIRO
JEREMY TROUT (Swifty)
MEX
KRAUSE
ALBERTS
TOM
CHAPLAIN
REVEREND HOOKER
GOLDIE
CHICK
GUARDS, CONVICTS, TROOPERSTennessee Williams
Tennessee Williams (1911-1983) explores passion with daring honesty, and forged a poetic theatre of raw psychological insight that shattered conventional proprieties and transformed the American stage. The autobiographical The Glass Menagerie brought what Mr. Williams called “the catastrophe of success,” a success capped by A Streetcar Named Desire, one of the most influential works of modern American literature. An extraordinary series of masterpieces followed, including Vieux Carre, Sweet Bird of Youth, The Rose Tattoo, Orpheus Descending, and the classic Cat on a Hot Tin Roof.